Meredith Hansen Headshot

In the world of classical vocalism, the name Meredith Hansen and the words ‘high caliber’ are becoming regularly linked. Hailed a “standout” by Ted Medrek of the Boston Herald for her performance of Antonia in Les Contes d'Hoffmann, she has scored many successes, both domestically and internationally. For her performance of Rossini’s Petite Messe Solennelle with Masterworks Chorale, the Boston Globe offered the following praise: “Soprano Meredith Hansen sang the surprisingly sweet ‘Crucifixus’ with a creamy tone and soared in the ‘O salutaris hostia.’”Opera magazine (UK) deemed her “a real find”, and Opera News stated, “As Marzelline, the jailer’s daughter in love with Fidelio, soprano Meredith Hansen was a bright, clever presence, and the size and color of her voice matched the role perfectly. She succeeded where very few singers do, making perfect dramatic sense of a romantic comedy figure essentially stranded in this otherwise dark and serious work.”

Meredith Hansen’s 2015-16 season currently includes singing as the Trainbearer in Strauss’Elektra in a return engagement with the Boston Symphony Orchestra as well as stepping in last minute as Donna Anna in Don Giovanni with Opera in Williamsburg and appearing as a featured soloist at Asheville Lyric Opera's annual Gala. In 2014 she made her Boston Symphony debut (at Tanglewood) as soloist in Beethoven’s Choral Fantasy and in the 2014-15 season sang Donna Anna in Don Giovanni in a re-engagement with Boston Lyric Opera.  She returned to the Metropolitan Opera in season 2013-14 for its production of Borodin’s Prince Igor and sang First Lady in Boston Lyric Opera’s The Magic Flute.

She joined the Metropolitan Opera roster in the 2012-13 season for their productions of Carmen, Das Rheingold and Götterdämmerung, and sang as Musetta in La bohème with Cedar Rapids Opera Theatre. Recent engagements include singing in concert at Boston’s Hatch Shell with the Landmarks Orchestra as Tatyana, Rosina and Countess Almaviva; Carmina Burana with the Charlotte Symphony; Poulenc’s Gloria with the Plymouth Philharmonic; Beethoven’s Symphony No. 9 with the Greensboro Symphony; Mozart’s Missa Brevis and an opera recital in Aiken, SC; and Beatrice in Boston Lyric Opera’s new production of The Inspector by John Musto.

During the 2010-11 season, Meredith Hansen was a featured performer with the Boston Lyric Opera’s Signature Series (alongside opera great Joyce Castle), and made her Opera Boston debut as Marzelline in Beethoven’s Fidelio. She also made her role debut as Gretel in Boston Lyric Opera’s Hansel and Gretel, made her Jordan Hall debut as Donna Anna in Rob Kapilow’s “What Makes It Great: Don Giovanni,” and sang as soloist in Beethoven’s Symphony No. 9 with the Bozeman Symphony.

Other highlights include her mainstage debut as Frasquita in Carmen with Boston Lyric Opera, conducted by Keith Lockhart; singing as soloist in Vaughan Williams’ Dona Nobis Pacem with the Plymouth Philharmonic; in the Johnstown Symphony Orchestra Opera Gala; and her Boston Symphony Orchestra and Carnegie Hall debuts, singing Elijah under the baton of Rafael Frühbeck de Burgos. Additionally, she performed a program of scenes and arias (Juliette, Elettra, Violetta and others) on The Esplanade with Boston Lyric Opera and the Landmarks Orchestra, conducted by Charles Ansbacher.

A Richard Tucker Foundation Career Grant nominee, she has sung as Gilda with the Newton Symphony Orchestra, as well as Countess and Rosalinde with Opera by the Bay, Miss Silverpeal in Mozart’s The Impresario with MetroWest Opera, Beethoven’s Missa Solemnis with the Quincy Choral Society, Verdi’s Requiem with the Paul Madore Chorale, and Messiah with Commonwealth Opera.

Ms. Hansen was chosen for the final rounds of the 45th Annual Francisco Viñas Singing Contest in Barcelona, Spain, and awarded First Place in the Charles Lynam Competition, the Violetta DuPont Vocal Competition, and the Opera Birmingham Competition (where she was also selected as the Audience Favorite). She has been a Regional Semi-Finalist and Regional Finalist in the Metropolitan Opera National Council Auditions; was the 2010 recipient of the Stephen Shrestinian Award for Excellence from Boston Lyric Opera, which named her an Emerging Artist for their 2011-12 season; and has received grant support from the Gerda Lissner Foundation.

Originally from Cohasset, MA, Ms. Hansen received her undergraduate training at The University of Connecticut, her Master’s Degree from Boston University, and spent a year of post-graduate study as an intern with the Opera Institute at Boston University.